Adelaide Research & Scholarship
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https://hdl.handle.net/2440/31562
| Type: | Book |
| Title: | Music and ideology in Cold War Europe |
| Author: | Carroll, M. |
| Publisher: | Cambridge University Press |
| Publisher Place: | The Edinburgh Bldg, Cambridge CB2 2RU, UK |
| Issue Date: | 2003 |
| ISBN: | 0521820723 |
| Contents: | Introduction: issues and perspectives -- 1. Back to the future: Nabokov’s selection criteria for L’Oeuvre du XXe siècle -- 2. Nabokov, Shostakovich and the view from the bridge -- 3. Articles of war: the Prague Manifesto and the Progressistes -- 4. Creative freedom or political obligation? Serialism and Stalinism in France -- 5. Culture and confrontation at the Théâtre des Champs-Elysées -- 6. Neither you nor they: the avant-garde and neutralité -- 7. Music and Sartrean commitment -- 8. René Leibowitz and the musician’s conscience -- 9. A forlorn hope: Sartre’s ’virtual’ audience -- 10. Serialism, scientism and the post-war world view -- Epilogue: the aftermath of L’Oeuvre du XXe siècle -- App.: the musical programme for L’Oeuvre du XXe siècle. |
| Appears in Collections: | Aurora harvest 2 Music publications, scores & recorded works |
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