Please use this identifier to cite or link to this item:
https://hdl.handle.net/2440/54215
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Whittington, S. | - |
dc.contributor.author | Harrald, L. | - |
dc.date.issued | 2009 | - |
dc.identifier.citation | Proceedings of the International Computer Music Conference (ICMC), 16-21 August, 2009: pp.481-484 | - |
dc.identifier.isbn | 0971319278 | - |
dc.identifier.isbn | 9780971319271 | - |
dc.identifier.uri | http://hdl.handle.net/2440/54215 | - |
dc.description.abstract | This paper explores group improvisation and interaction through the concept of Mitsein (being with). The activities of the electro-acoustic ensemble ‘Hidden City’ are discussed, with emphasis on the way the group’s approach to improvisation has expanded through the use of technology to incorporate not only the ensemble members, but collaborative machines and the audience. | - |
dc.description.statementofresponsibility | Stephen Whittington and Luke Harrald | - |
dc.description.uri | http://www.icmc2009.org/ | - |
dc.language.iso | en | - |
dc.publisher | ICMA | - |
dc.subject | Improvisation | - |
dc.subject | Live Algorithms | - |
dc.subject | Mitsein | - |
dc.subject | Hidden City | - |
dc.subject | Interactive computer music | - |
dc.subject | Distributed Agents | - |
dc.subject | Iterated Prisoner's Dilemma | - |
dc.title | Hidden city: 'Being with' in improvised performance | - |
dc.type | Conference paper | - |
dc.contributor.conference | International Computer Music Conference (2009 : Montreal, QC, Canada) | - |
dc.publisher.place | Canada | - |
pubs.publication-status | Published | - |
dc.identifier.orcid | Whittington, S. [0000-0002-4897-7203] | - |
dc.identifier.orcid | Harrald, L. [0000-0003-4217-8002] | - |
Appears in Collections: | Aurora harvest 5 Music publications, scores & recorded works |
Files in This Item:
File | Description | Size | Format | |
---|---|---|---|---|
Whittington_Harrald.pdf | 761.38 kB | Adobe PDF | View/Open |
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.