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https://hdl.handle.net/2440/63022
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dc.contributor.author | McMahon, J. | - |
dc.date.issued | 2010 | - |
dc.identifier.citation | Critical Horizons, 2010; 11(3):419-441 | - |
dc.identifier.issn | 1440-9917 | - |
dc.identifier.issn | 1568-5160 | - |
dc.identifier.uri | http://hdl.handle.net/2440/63022 | - |
dc.description.abstract | I identify two mutually exclusive notions of formalism in Kant’s Critique of Aesthetic Judgement: a thin concept of aesthetic formalism and a thick concept of aesthetic formalism. Arguably there is textual support for both concepts in Kant’s third critique. I offer interpretations of three key elements in the Critique of Aesthetic Judgement which support a thick formalism. The three key elements are: Harmony of the Faculties, Aesthetic Ideas and Sensus Communis. I interpret these concepts in relation to the conditions for theoretical Reason, the conditions for moral motivation and the conditions for intersubjectivity, respectively. I conclude that there is no support for a thin concept of aesthetic formalism when the key elements of Kant’s Critique of Aesthetic Judgement are understood in the context of his broader critical aims. | - |
dc.description.statementofresponsibility | Jenny McMahon | - |
dc.language.iso | en | - |
dc.publisher | Equinox Publishing Ltd | - |
dc.rights | © Equinox Publishing Ltd 2011 | - |
dc.source.uri | http://dx.doi.org/10.1558/crit.v11i3.419 | - |
dc.subject | Kant’s aesthetic formalism | - |
dc.subject | Harmony of the Faculties | - |
dc.subject | Aesthetic Ideas | - |
dc.subject | Sensus Communis | - |
dc.subject | moral motivation | - |
dc.subject | intersubjectivity | - |
dc.title | The classical trinity and Kant's Aesthetic formalism | - |
dc.type | Journal article | - |
dc.identifier.doi | 10.1558/crit.v11i3.419 | - |
pubs.publication-status | Published | - |
dc.identifier.orcid | McMahon, J. [0000-0002-2400-0166] | - |
Appears in Collections: | Aurora harvest 5 Philosophy publications |
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