Please use this identifier to cite or link to this item: http://hdl.handle.net/2440/64770
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Type: Journal article
Title: Aesthetic Autonomy and Praxis: art and language in Adorno and Habermas
Author: McMahon, J.
Citation: International Journal of Philosophical Studies, 2011; 19(2):155-175
Publisher: Routledge
Issue Date: 2011
ISSN: 0967-2559
1466-4542
Statement of
Responsibility: 
Jennifer A. McMahon
Abstract: Aesthetic autonomy has been given a variety of interpretations, which in many cases involve a number of claims. Key among them are: (i) art eludes conventional conceptual frameworks and their inherent incompatibility with invention and creativity; and (ii) art can communicate aspects of experience too fine-grained for discursive language. To accommodate such claims one can adopt either a convention-based account or a natural-kind account. A natural-kind theory can explain the first but requires some special scaffolding in order to support the second, while a convention-based account accommodates the second but is incompatible with the first. Theodor W. Adorno attempts to incorporate both claims within his aesthetic theory, but arguably in his aesthetic theory each is cancelled out by the other. Art's independence of entrenched conceptual frameworks needs to be made compatible with its communicative role. Jrgen Habermas, in contrast, provides a solution by way of his theory of language. I draw upon the art practice of the contemporary Icelandic-Danish artist Olafur Eliasson in order to demonstrate this.
Keywords: art and ethics; philosophy of language; Adorno; Habermas; Olafur Eliasson; Kant
Rights: © 2011 Taylor & Francis
RMID: 0020110258
DOI: 10.1080/09672559.2011.539365
Appears in Collections:Philosophy publications

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